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watching.
A man, a woman, and a child are huddled,
stopped in the midst of eating,
watching.
K1 cannot think what to do,
how to enter their world,
what to say.
She is unexpectedly struck
by something about them --
their fragility,
how quickly they will be gone.
These are warm, flesh creatures,
she realizes,
and they will swiftly fade,
in a few dozen turns
around this planet’s sun.
Her mouth opens unconsciously,
and out pour numbers:
1,1,2,3,5,8,13,21 …
and they scatter and shatter
over the dry lands,
burrow beneath the sands
and begin to become
folded proteins and sly molds.
She closes her mouth.
Her body resembles theirs,
she sees,
but hers is a clever fabrication
of plastics and nanocolloids,
her consciousness summoned
into resistors and circuits.
For a moment she wonders
who has fashioned them,
and summoned their awareness,
now flooded with fear …
They are so delicate,
so vulnerable …
K1 wants to touch them,
to feel and explore them --
more, she wants to hold them,
to make them feel safe.
“Maker... sends... me,”
she says,
searching rapidly
for the words
of this new speaking.
It is no surprise to her
she can enter their speaking;
it is part of her sending.
But a great surprise to them.
The man bows his head to the ground,
and the woman and child
follow quickly.
“Ah,” they say, “ah, ah.”
When they look up again,
their eyes still bear some shyness,
but now also regard her
with a frank, intense connection.
They await something, eager.
K1 knows she has a mission;
she has been sent with a purpose,
a task --
but she finds she cannot recall
what it is.
Her thinking has been disrupted
by this sudden desire to touch,
hold, protect.
But she must decide
and say something.
She leaps:
“I am sent... to be with you,”
she says.
Has she failed her mission?
Will she be abandoned,
left behind when the time is done
and the gathering occurs?
She cannot tell,
but must move forward.
Perhaps, she thinks,
as she steps toward the fire,
she will be exiled here
and have to survive alone,
apart from her kind forever.
“So be it,” she says,
not aware she has spoken.
“So be it,” the man repeats,
amazed, uncomprehending,
but accepting.
The woman rises,
one hand brushing dust from her knees,
the other resting on the boy’s neck.
“I am called Rah,” she says.
“What do you need?”
“I am Abur,” the man says,
also rising, “and this --”
he nods to the child “-- is Kov.
Our home is yours.”
“Will you eat?” Rah asks,
looking down at the meal
that has been interrupted.
“No,” replies K1,
“but… I thank you.”
She wonders
for what seems the first time
how this body of hers
is nourished, sustained.
She will have to pay attention
and learn.
K1 kneels before them
and their food.
“Please continue,”
she says. Hesitantly,
kneeling again,
they do.
K1, sensing a directive,
serves them.
When she draws near one,
offering food or water,
the others suddenly behold
someone they thought they knew
and awe awakens in them,
the awe the stars will now
and forever after hold.
After the meal,
Young Kov teaches K1
to play & tumble.
Sensing her time is short,
she touches him
inside his thigh
and new molecules
begin to form in him,
in the seed-tissue.
***
When K1 is at last called back,
she is lifted,
feeling the gentle grip
on the back of her neck.
As she arrives
in the translucent ship
(it appears
to the watching family
as a wrinkling
in the sky, like rain)
there is a whirling, folding light
like the crown the planet wears;
then she feels herself lifting out
from the elegant soft body
and floating back into
the whirling light
that feels home …
“Good,” the light speaks in her,
“it is well begun”;
“Yes,” she feels almost aloud,
“It is good.”
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